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Maureen Corrigan

Maureen Corrigan, book critic for NPR's Fresh Air, is The Nicky and Jamie Grant Distinguished Professor of the Practice in Literary Criticism at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America.

Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014. Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency: trinity@tuesdayagency.com

Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.

The title of Maile Meloy's new novel is misleading: Do Not Become Alarmed sounds like a suspense story. Granted, I did read it in two nights; but, while I'm a unapologetic fan of thrillers, Meloy's novel is something else, something trickier to characterize. I'd call it a very smart work of literary fiction that exposes how very thin the layer of good luck is that keeps most of us from falling into the abyss.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

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Rakesh Satyal's new novel checks off a lot of boxes, but its charm lies in the fact that it wears all of it various identities so lightly. This is an immigration story, a coming-out story and something of an old-school feminist story about a timid woman learning to roar.

My timing has always been a little off with Elizabeth Strout. I've read and pretty much admired everything she's written, but, for whatever reason, the books of hers I've picked to review have been the good ones, like her debut Amy and Isabelle and The Burgess Boys, rather than the extraordinary ones, like Olive Kitteridge, which won the 2009 Pulitzer Prize.

Dani Shapiro's new memoir, Hourglass, opens on a scene from a marriage: On a winter's day, Shapiro looks out a window of her old house in Connecticut, and spots her husband. Now pushing 60, he is standing in the driveway in his bathrobe, his pale legs stuffed into galoshes, aiming a rifle at the woodpecker, who for months has been jackhammering holes into the side of their house.

I was in the mood for reading "lite" this week. It was a nice fleeting thought. Instead, I took a detour because I got curious about Daniel Magariel's slim debut novel, One of the Boys, which is adorned with raves from writers who mostly don't generate such blurbs.

I found myself reading the novel in one still afternoon. A slim, deeply affecting and brutal story, One of the Boys is about the fierce power of a father-son relationship, which, in these pages, all but grinds a young boy to a pulp.

A few days ago, one of my students asked me what I was reading, so I told her about Jean Hanff Korelitz's new novel, called The Devil and Webster. My student's eyes got wider as I finished lightly summarizing the plot, and she said, with some concern about Korelitz: "I hope she's ready for all the angry tweets and emails."

Yeah, I think she probably is.

You might say that Heretics, a sprawling novel by celebrated Cuban writer Leonardo Padura, has been in the works since the early 1990s. It was back then that Padura began writing a series of books featuring an ex-police detective in Havana named Mario Conde. Funny and philosophical, Conde, like the sharpest of detectives, devotes more time to investigating the mysteries of his own society than he does to investigating crime.

Worlds collide in Waking Lions, a new novel by Israeli writer Ayelet Gundar-Goshen. Like Tom Wolfe, who used the device of a hit-and-run accident in The Bonfire of the Vanities as a means to violently "introduce" New Yorkers of different races and classes to each other, Gundar-Goshen also begins her story with a car ride gone haywire.

It's been almost 20 years since Barbara Ehrenreich published Fear of Falling, her brilliant book on the anxious "inner life" of the American middle class. The book's title, "fear of falling," has become a catchphrase to refer to the cosmic jitters that afflict anyone whose lifestyle and sense of identity can be wiped out by the loss of a job or a plunge in the stock market.

Willie Lincoln was only 11 when he died in February 1862 of typhoid fever. The Lincolns' third son was said to be their favorite, and after Willie was interred in a borrowed mausoleum in Oak Hill Cemetery in Georgetown, his father, Abraham Lincoln, returned to that cemetery several times. Newspapers reported that the president visited the crypt to open his son's coffin and hold his body.

Utopian communities don't fare much better in fiction than they do in real life. As the plot usually unfolds, a brave new world loses its luster fast when the failings of its founder are exposed, or when the community itself begins to morph into a cult.

Ayelet Waldman is a real handful; as people would have said once upon a time in my old New York neighborhood, "she's got a mouth on her."

She's one nasty woman, that Betty Fussell. Now 89, Fussell came of age in the heyday of bright and breezy Bettys — Betty Grable, Betty Hutton, Betty Crocker — but she clearly gravitated toward the one dangerous dame of the bunch, Bette Davis.

An essayist and author of some 20 books on food and travel, as well as the acclaimed memoir, My Kitchen Wars, about her marriage to and divorce from the late cultural historian Paul Fussell, Betty Fussell doesn't mince words.

I hesitate to say it, but the one word that characterizes my best books of 2016 list is "serious." These books aren't grim and they're certainly not dull, but collectively they're serious about tackling big, sometimes difficult subjects — and they're also distinguished by seriously good writing. Here are 10 that you shouldn't miss.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

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There's a tendency to approach a posthumous collection of work by an esteemed "writer's writer" with respectful courtesy, but Stanley Elkin's essays demand a rowdier response from readers. They're weird and spirited, full of literal piss and vinegar. Pieces of Soap is the name of this collection and writer Sam Lipsyte, in his introduction, rightly says that reading Elkin makes you realize "how lazy most writing is."

Last things first. One of the most extraordinary aspects of the third volume of Blanche Wiesen Cook's monumental biography of Eleanor Roosevelt is the way it ends. I don't think I've ever read another biography where the death of the subject is noted in an aside of less than 10 words, on the second to last page of the book.

I need a moment away from unceasing word drip of debates about the election, about whether Elena Ferrante has the right to privacy, about whether Bob Dylan writes "Literature." I need a moment, more than a moment, in the steady and profound company of Mary Oliver and I think you might need one too.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

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Copyright 2016 Fresh Air. To see more, visit Fresh Air.

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The 18-year-old Jane Jacobs picked a lousy time to leave her hometown of Scranton, Pa., and move to New York City.

It was the fall of 1934 and New York was dragging itself through The Great Depression. During that first year in the city, Jacobs, who'd gone to secretarial school, scrounged for work, riding the subway from the Brooklyn apartment she shared with her older sister, Betty, into Manhattan.

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What first grabs a reader about Mary Mann Hamilton's memoir, Trials of the Earth, is its backstory. Hamilton was born in Arkansas around 1866; her family ran a boarding house and at 18 she married one of the guests, an older Englishman named Frank Hamilton who claimed to have an aristocratic past.

Copyright 2016 American Public Media. To see more, visit American Public Media.

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The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

In 2004, Susan Faludi stepped off a plane in Budapest, Hungary, to visit her father, a sometimes violent man with whom she'd barely spoken in over 25 years.

The reunion was prompted by an email she'd received from her then 76-year-old father announcing that "after years of impersonating a macho man" he, or rather, she, had undergone sex reassignment surgery. Faludi's father, "Steven," was now "Stefanie." Here's how Faludi describes their airport reunion:

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