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Fresh Air

Weekdays, 6pm - 7pm
  • Hosted by Terry Gross

Local News Update - 6:04pm

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Rhiannon Giddens' new solo album, Freedom Highway, is an exploration of African-American experiences, accompanied by an instrument with its own uniquely African-American story: the banjo.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Growing up, Jill Soloway had a hard time relating to women as they were portrayed on TV. Soloway would watch The Love Boat or Fantasy Island and feel uncomfortable with the version of femininity the shows put forth.

"In fact, all the way up through watching Sex and the City, I would feel incredibly upset by what I thought was an expectation of me," Soloway says. "[It] was, 'You should really love cute shoes,' and, 'Because you're a woman, you're going to go crazy for a particular dress.' "

Rakesh Satyal's new novel checks off a lot of boxes, but its charm lies in the fact that it wears all of it various identities so lightly. This is an immigration story, a coming-out story and something of an old-school feminist story about a timid woman learning to roar.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Growing up in Brooklyn with a mother from the South and father from Senegal, Gabourey Sidibe spent much of her youth feeling anxious. She was mocked for being part-African and for being overweight, and she worried she would never find her true calling.

As a young woman, Sidibe struggled to find work and ultimately took a job as a phone sex operator where the rule of business was to sound "100 percent white." Then, when she was 24, she auditioned for the role that would change her life.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

In 1933, faced with a housing shortage, the federal government began a program explicitly designed to increase — and segregate — America's housing stock. Author Richard Rothstein says the housing programs begun under the New Deal were tantamount to a "state-sponsored system of segregation."

The government's efforts were "primarily designed to provide housing to white, middle-class, lower-middle-class families," he says. African-Americans and other people of color were left out of the new suburban communities — and pushed instead into urban housing projects.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

My timing has always been a little off with Elizabeth Strout. I've read and pretty much admired everything she's written, but, for whatever reason, the books of hers I've picked to review have been the good ones, like her debut Amy and Isabelle and The Burgess Boys, rather than the extraordinary ones, like Olive Kitteridge, which won the 2009 Pulitzer Prize.

Comic W. Kamau Bell has spent much of his life feeling awkward. A self-described "tall, rangy black dude," Bell was often mistaken for a basketball player growing up — except that serious asthma and allergies meant he spent the bulk of his childhood indoors watching TV.

He says, "There was this weird sense of guilt about the fact that I wasn't using the physical shell that God had given me, and that I wasn't taking advantage of my physical gifts."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

'Veep' Executive Producer On Making A Show About The 'Craven Desire For Power': The HBO series is now in its sixth season. Producer Frank Rich also writes a column for New York magazine about the intersection of politics and popular culture.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

When mentally ill inmates in New York City's Rikers Island jail become too sick, violent, delusional or suicidal for the jail to handle, they're sent to Bellevue Hospital Prison Ward for treatment.

The inmates in Bellevue are awaiting trial for a variety of offenses, ranging from sleeping on the subway to murder. But for Dr. Elizabeth Ford, a psychiatrist who treats them, the charges against her patients are secondary.

Dani Shapiro's new memoir, Hourglass, opens on a scene from a marriage: On a winter's day, Shapiro looks out a window of her old house in Connecticut, and spots her husband. Now pushing 60, he is standing in the driveway in his bathrobe, his pale legs stuffed into galoshes, aiming a rifle at the woodpecker, who for months has been jackhammering holes into the side of their house.

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