KIOS-FM

Last Call

Saturdays, 11pm - 1am

The Last Call started on KIOS in January 1996.   Since that time Chris Cooke has been the host for this late night jazz program.  It is one of the few radio programs that present the very best of adventuresome jazz-music which generally falls outside of the mainstream of the genre, but includes some of the most creative and innovative music ever recorded by musicians anywhere. The program's host brings along with him several decades of experience and insight into jazz music as he steps into the studio to host each program.

Jazz artists have been motivated by concerns outside of the mainstream for decades. Innovative musicians such as Sun Ra & his Arkestra made some of the first truly "out there" recordings in the 1950s. The following decade saw the emergence of Ornette Coleman & Free Jazz.  John Coltrane's flight into the avant-garde was also a defining moment, equalled only by fellow saxophoniststs Pharaoh Sanders and Albert Ayler. Ayler's  "ectastic" period in 1965-1966 is arguably the most bold demonstration of inspired, sacred jazz ever on record.  The 1960s also saw the formation of Chicago's Association for the Advancement of Creative Musicians (AACM). The Art Ensemble of Chicago also formed in the 1960s, to be followed by the World Saxophone Quartet.

Inspired by the revolutionary guitar work of Jimi Hendrix, the grooves of James Brown and Sly & The Family Stone,  a wave of innovative jazz musicians fused jazz & rock in the late 1960s. Miles Davis & his in studio ensembles were among the first to record electric jazz, other artists such Eddie Harris, Charles Lloyd, Herbie Mann & Larry Coryell also pioneered some of the earliest jazz rock in the late 1960s.  An explosion of progressive jazz groups followed in the 1970s. Bands such as Herbie Hancock's Headhunters (and earlier, Mwandishi sextet), Return to Forever, Weather Report, and John McLaughlin's Mahavishu Orchestra made immensely creative music and won audiences worldwide. Since then a galaxy of jazz talent has continued exploring the possibilities of jazz music. Artists such as Rez Abbasi, Vijay Iyer & Oscar Utterstrom & others featured regularly on the Last Call are an assurance that the future of forward-looking jazz music is bright indeed.

Thank you for listening!

-Chris Cooke

Jazz Calendar (Updated 6/ 15/ 2018)

Jun 15, 2018

Last Call Rotation

Apr 28, 2018

Cecil Taylor, whose stunning and bravely unorthodox piano language made him one of the most important postwar American avant-gardists in any artistic medium, leaves more than a legacy of musical provocation after his death yesterday evening.

Note: NPR's First Listen audio comes down after the album is released.


A continuity and a break: That's the history of The Bad Plus in a nutshell. An acoustic piano trio with the combustion properties of a post-punk band, it emerged in the early 2000s to an uproar — its surging attack and shrewd repertoire were framed as a radical split from the jazz tradition. Gradually a more perceptive view emerged, one that acknowledged where the band was really coming from.

One way or another, you've heard Grover Washington Jr.'s saxophone. Perhaps on "Mister Magic" or another of his instrumental hits, like "Winelight." Or on "Just the Two of Us," the smash hit featuring Bill Withers.

John Abercrombie, an intrepid and deeply lyrical guitarist who made a formative contribution to jazz-rock before refining a judicious, poetic iteration of post-bop, died on Tuesday at Hudson Valley Hospital, in Cortlandt Manor, N.Y. He was 72.

Vijay Iyer is an acclaimed jazz pianist, MacArthur winner and Harvard professor of music. His new album, recorded with a six-person band, is called Far From Over. With the band, he says, he wanted to write with "different dance rhythms and dance impulses" in mind; the record also reflects Iyer's belief that jazz is "a category that keeps shifting."

Image Courtesy of Crossover Media

Two new voices will take over the hosting duties on the Jazz Network heard weeknights at 9:00PM beginning Tuesday June 13.

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